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rgod -> RE: What Most CCM is Lacking (8/23/2008 4:52:07 PM)
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I think I'll have to disagree with you here, although you raise a very interesting point. I like a lot of Christian music, but sometimes find it to be artistically quite uninteresting. I think that at lot of the really inspired stuff is gets filtered out somehow - although some really good music remains. I'd love to see more different types of Christian music. We have CCM - which for the most part to me sounds like a cross between pop and rock (with some country thrown in for good measure) and maybe some adult contemporary - easy listening type of music. We have Gospel, which we segregate by race/culture (White Southern and Black - and both of those are traditional or contemporary). And of course we have rap ("urban"), a smattering of jazz, and praise and worship. There is some cross pollination between genres though with Praise and Worship music. I'm not sure what is beyond those subgenres- I'd love to hear from others who might have more information. I think that CCM, like many other genres has its own set of instruments, favorite chords, hooks, etc. What is jazz without a bass or a drum? What is rock without a guitar? What is gospel without a singer who twists and turns the notes and melody into new forms? While I like some CCM, I can't listen to it for long because I find a lot of it to be somewhat repetitive. But I can say that for just about any other type of music that I listen to as well - Christian or not. I think a lot of Christian art (music, writing, etc.) as a whole tends to be very tame because the record/publishing companies tend to be afraid to take risks. Not only in the form/structure, but also in the content. I was talking about this with a group of artists the other day - about Christian artists who are putting romantic love songs on their albums - and about how it is gaining acceptance. I remember when people didn't like CeCe Winans because she didn't say "Jesus" in every single song. I remember when people didn't like Kirk Franklin because he seemed to be too secular. I remember when people didn't like Amy Grant when she sang pop. Artists by nature I think, tend to want to push against boundaries - and it is that pushing that creates new things. But ... if you push and that means that you aren't heard ... well - I'm not sure how conducive that is to creativity. So you push within the boundaries and eventually everything ends up sounding pretty much the same. But every so often someone pushes in exactly the right way and something new is birthed. And that is cool! But I don't think this is limited to the Christian industry - I think that there is something about corporate structures that often discourage that. I think that they are afraid of offending people (losing sales), or not having a niche where it can sell. Sadly, it seems like growth and exploration only seems to happen when it has happened in the secular market first or by an independent label (like what Vineyard did in the 70s and 80s).
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